{"id":5624,"date":"2026-03-31T08:20:31","date_gmt":"2026-03-31T12:20:31","guid":{"rendered":"https:\/\/www.fimav.qc.ca\/?p=5624"},"modified":"2026-04-06T16:37:33","modified_gmt":"2026-04-06T20:37:33","slug":"andrew-beaudoin-entretendre","status":"publish","type":"post","link":"https:\/\/www.fimav.qc.ca\/en\/2026\/03\/31\/andrew-beaudoin-entretendre\/","title":{"rendered":"Andrew Beaudoin: Entrentendre"},"content":{"rendered":"\n
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Andrew Beaudoin<\/h2>\n\n\n\n
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Andrew Beaudoin<\/mark><\/strong>
Entrentendre<\/em><\/h3>\n\n\n\n

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Quebec | World Premiere
free entry
9- Vitrine G\u00e9rald Musique<\/h3>\n\n\n\n
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This is a work born of a fragmented lineage. It is a quest for a space where identity is woven, through listening, in relationships rather than in belonging. It affirms the right to a shifting, irreducible identity that is always in the making\u2014a way of being in the world without being reduced. <\/p>\n\n\n\n

Biographical Note:<\/strong><\/p>\n\n\n\n

Montreal-based musician and sound artist. Trained in classical percussion (D.E.C. at C\u00e9gep de Sainte-Foy, 2009) and digital music (major at the University of Montreal, 2013), he practices his craft through works from various disciplines as a percussionist and sound designer. Notable collaborations in his career include the experimental feature film D\u00e9serts (2016), the interactive installation Jardins suspendus (2022), the documentary David contre Goliath (2023), and the album Blizzard with Ben Nesrallah (2021). <\/p>\n\n\n\n

Son parcours est \u00e9galement fa\u00e7onn\u00e9 par son engagement au sein d’ensembles tels que l’ensemble de musique indon\u00e9sienne Giri Kedaton (2013\u20132016), l’ensemble de percussion br\u00e9silienne Movimento (2012\u20132015) et Cabale (2014\u20132022), ensemble de jazz moderne inspir\u00e9 des musiques de jeux vid\u00e9o proposant des concerts interactifs.<\/p>\n\n\n\n

Aujourd’hui, ses collaborations s’inscrivent davantage dans des d\u00e9marches interdisciplinaires, notamment avec le collectif Les Caroles et le Th\u00e9\u00e2tre D\u00e9cha\u00een\u00e9s. Il se concentre d\u00e9sormais sur l’interactivit\u00e9 et la cr\u00e9ation immersive, ainsi que sur la relation entre geste, technologie, humain et identit\u00e9. L’exploration des instruments augment\u00e9s est au c\u0153ur de sa pratique depuis plusieurs ann\u00e9es. <\/p>\n<\/div>\n\n\n\n

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